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Includes a foreword by the author and a new introduction by Tayari Jones.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003eOne of \u003ci\u003eThe Atlantic\u003c\/i\u003e's Great American Novels of the Past 100 Years \u003c\/b\u003e\u003cp\u003e\u003c\/p\u003e\"A rhapsodic work. . . . Intricate and inventive.\" --\u003ci\u003eThe New Yorker\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eMilkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. 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Morrison sees these fictions as a form of creation and projection, arguing that they helped manufacture American racial identity--these \"Africanist\" presences are \"the shadow that makes light possible,\" as Morrison writes, and the reflections of their authors' own deepest fears, insecurities, and longings. \u003cp\u003e\u003c\/p\u003eWith profound erudition and wit, Morrison breaks wide open the American conception of race with energetic, enlivening readings of the nation's canon, revealing that our liberation from these diminishing notions comes through language. \"How,\" Morrison wonders, \"could one speak of profit, of economy, of labor, or progress, of suffragism, or Christianity, of the frontier, of the formation of new states, the acquisition of new lands . . . of practically anything a new nation concerns itself with--without having as a referent, at the heart of the discourse or defining its edges, the presence of Africans and\/or their descendants?\" \u003cp\u003e\u003c\/p\u003eTo read these lectures, collected here for the first time, is to encounter Morrison, not just the writer but also the teacher, in the most penetrating and subversive way yet. 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